Showing Tag: " venice" (Show all posts)

Emoticon @ The Encyclopedic Palace, La Biennale di Venezia

Posted by Tom Estes on Saturday, August 22, 2015, In : Venice Biennale 


Emoticon @ The Encyclopedic Palace, La Biennale di Venezia 2013 for The Biennial Project

http://www.the-biennial-project.com/VB2013Accepted.aspx


You’ve definitely seen it at some point. Maybe it was in a lecture in college. Maybe it was in a TED talk you watched recently. Someone is trying to explain some important historical connection, drawing up a grand theory of art or science or human progress, and there it is, as if by reflex: the hand lifts in front of them like an upturned claw, the f...
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Swampy- Venice Flooded!

Posted by Tom Estes on Friday, June 8, 2012, In : Venice Biennale 



 Venice is flooded

Swampy: Venice is Flooded - Live Art Guerrilla Action as part of 'Bizzare Artist Happenings' with The Biennial Project  (as featured by Tate Shots at The 54th  Venice Bienniale) 


 

On the 7th of  June 2011, the waters of the lagoon rose up and flooded Venice. As the waters rose, a strange creature appeared out of nowhere, and climbed the steps up from the Lagoon and entered the Giardini while the Venice Biennale was taking place... 




Through the Live Art Performance 'Swampy', ar...


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Performance


Tom Estes As an artist I have always leaned toward making Live Art performance work that is participatory or immersive in some way. In my Live Art performance I stage an 'action' and then ask members of the audience to take pictures on a communal camera. In this way, the audience becomes part of the performance, and the pictures are then posted on on-line social networking sites and web sites for another, wider on-line audience. For me, fantasy and illusion are not contradictions of reality, but instead an integral part of our everyday lives. There is a real Peter Pan Syndrome at play in my work and I suppose I would consider myself to be a carnival sideshow conceptualist, combining a bare-bones formal conceptualism with an eternally adolescent, prank DIY comic-approach. At the core of this work is an attention to the flickering, fading definition of our lives as dictated by the computer monitor and the rapid reply of instant messaging. I strive, not to break down these introverted, often self-imposed boundaries, but to look at how dataflow from the virtual realm impacts on the significance and symbolism of real-world human senses. But in doing so, I have begun to generate unexpected questions about how art might be able to inscribe itself on the surface of reality- not to represent itself on the surface of reality –not to represent reality, nor to duplicate it, but to replace it.

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