Showing category "Sewing Performance" (Show all posts)

Sewing Performance Tate Moder

Posted by Tom Estes on Thursday, June 7, 2012, In : Sewing Performance 

 Tom Estes in Sewing Performance for The Really, Really Free Market (RRFM), a 3-day market organised as Post-Museum's contribution to No Soul for Sale: A Festival of Independents, held in Tate Modern.

"This sewing performance was intended as a viral extension of a performance created as the culmination of a residency at Trinity Buoy Wharf. The work was conceived in relation to the site of Trinity Buoy Wharf- a place of both extreme poverty and extreme wealth; of crumbling and overgrown Docks,...
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Sewing Performance at Trinity Buoy Wharf

Posted by Tom Estes on Friday, June 1, 2012, In : Sewing Performance 

 Tom Estes in Sewing Performance, Trinity Buoy Wharf

"This ‘Sewing Performance’ was created as the culmination of a residency at Trinity Buoy Wharf. In this work I gently embroider leaves and vines onto a bespoke or tailor- made suit, causing a dimpling of the material. This sewing has the effect of slowly shrivelling the arms and legs of the suit. So in a way the work is really about being powerless in the face of exploitation and is intended to accentuate a core of wordless confusion and...
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Tom Estes As an artist I have always leaned toward making Live Art performance work that is participatory or immersive in some way. In my Live Art performance I stage an 'action' and then ask members of the audience to take pictures on a communal camera. In this way, the audience becomes part of the performance, and the pictures are then posted on on-line social networking sites and web sites for another, wider on-line audience. For me, fantasy and illusion are not contradictions of reality, but instead an integral part of our everyday lives. There is a real Peter Pan Syndrome at play in my work and I suppose I would consider myself to be a carnival sideshow conceptualist, combining a bare-bones formal conceptualism with an eternally adolescent, prank DIY comic-approach. At the core of this work is an attention to the flickering, fading definition of our lives as dictated by the computer monitor and the rapid reply of instant messaging. I strive, not to break down these introverted, often self-imposed boundaries, but to look at how dataflow from the virtual realm impacts on the significance and symbolism of real-world human senses. But in doing so, I have begun to generate unexpected questions about how art might be able to inscribe itself on the surface of reality- not to represent itself on the surface of reality –not to represent reality, nor to duplicate it, but to replace it.

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