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Live Art Performance: Malta

Posted by Tom Estes on Saturday, August 22, 2015, In : Malta 

Tom Estes Live Art Performance: The Anomaly
 outside the Co-Cathedral of St. John, Valletta. The most famous artist who worked in Malta has to be Caravaggio. His 'work is on display inside, the Oratory of the Co-Cathedral of St. John, Valletta. However, while in Malta, Caravaggio was imprisoned in Fort St. Angelo (accused of sodomy) and later escaped to Sicily, only to die two years later at the age of 38 still hounded by the forces of justice.

I created this character ‘The Bell Ringer’ for...
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Emoticon @ The Encyclopedic Palace, La Biennale di Venezia

Posted by Tom Estes on Saturday, August 22, 2015, In : Venice Biennale 

Emoticon @ The Encyclopedic Palace, La Biennale di Venezia 2013 for The Biennial Project

You’ve definitely seen it at some point. Maybe it was in a lecture in college. Maybe it was in a TED talk you watched recently. Someone is trying to explain some important historical connection, drawing up a grand theory of art or science or human progress, and there it is, as if by reflex: the hand lifts in front of them like an upturned claw, the f...
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Gallery Interaction by Tom Estes at The De La Warr Pavilion

Posted by Tom Estes on Friday, June 1, 2012, In : Gallery Interaction 

Tom Estes ~ Gallery interaction~ The De La Warr Pavilion, 29th of August, 2010

"I have been collecting newspaper articles for about twenty years. Basically it’s a bit autobiographical as the collection is made up of things I have found of interest or things that I like or think are funny. I use to put them into drawers and then bin liners but now I have so many clippings now that I have started to put them into ring binder folders with plastic sleeves. I guess it probably seems a bit mad, as...
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Tom Estes As an artist I have always leaned toward making Live Art performance work that is participatory or immersive in some way. In my Live Art performance I stage an 'action' and then ask members of the audience to take pictures on a communal camera. In this way, the audience becomes part of the performance, and the pictures are then posted on on-line social networking sites and web sites for another, wider on-line audience. For me, fantasy and illusion are not contradictions of reality, but instead an integral part of our everyday lives. There is a real Peter Pan Syndrome at play in my work and I suppose I would consider myself to be a carnival sideshow conceptualist, combining a bare-bones formal conceptualism with an eternally adolescent, prank DIY comic-approach. At the core of this work is an attention to the flickering, fading definition of our lives as dictated by the computer monitor and the rapid reply of instant messaging. I strive, not to break down these introverted, often self-imposed boundaries, but to look at how dataflow from the virtual realm impacts on the significance and symbolism of real-world human senses. But in doing so, I have begun to generate unexpected questions about how art might be able to inscribe itself on the surface of reality- not to represent itself on the surface of reality –not to represent reality, nor to duplicate it, but to replace it.

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